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A collection of quotations
sourced from media and personal interviews with those members of cast
and crew involved in making The Avengers, in many cases
contemporary with its production.
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Simon Oates
(John Steed)
Concerns about taking the role of John Steed...
"When they
asked me to do it, I made a point of ringing Patrick Macnee, a
great friend of mine. Were they trying to blackmail Pat into
accepting the role, using me against him? I was concerned
because, after all, it was his show. 'I just couldn't do it,' he
said. 'It's too energetic for me, so do it with my blessing.' So
I did it… and Pat was right, it was a pretty energetic show. But
Patrick Macnee — what a hard act to follow…"
Interviewed by Alan and
Alys Hayes for The Avengers Declassified, 1st November 2008 |
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Sue Lloyd
(Hannah Wild)
Creating the new Avengers heroine, Hannah Wild...
"I see Hannah as a highly intelligent girl with a certain
hardness. Practical, yet with a lot of warmth. She's fond of
Steed, but otherwise there's no man in her life. On the action
front, her accomplishments will include shootings, half nelsons
and the occasional karate chop."
London Evening News, 2nd
July 1971 |
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Terence Feely
(Co-Writer)
Why it came crashing down...
"It didn't work because the producer said he could do the
effects, and Brian and I suspected he couldn't. We trusted the
guy and it didn't work."
TV Zone, October 1993 |
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Dave Rogers
(Avengers Fan and Author)
Impressions of the Birmingham Theatre premiere, 20th July
1971...
"There were many unscripted funny moments. In one, Miss
Lloyd hit her opponent over the head with a plastic bottle, and
had to stand and watch while it slipped from her hands and
bounced across the stage. And Kate O'Mara fell flat on her
bottom when the rope ladder she was climbing collapsed. However,
it was the first night (when things are expected to go wrong),
and no one seemed to mind, least of all Simon Oates himself, who
finished the show with the line, 'Why not come back tomorrow
night and see how the show really ends?' "
Writing in The Ultimate
Avengers, 1995 |
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Brian Clemens
(Co-Writer)
How things might have worked out differently...
"If it had been done like Phantom of the Opera, it would
have run forever. It was too ambitious for the time. The critics
liked the idea but not the execution. It should have played out
of town for six months to get it right, iron out the
difficulties with the props."
Interviewed by Dave Rogers
for The Ultimate Avengers, 1995 |
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Simon Oates
(John Steed)
It could have been fantastic, but...
"It needed time but they'd booked us in and allowed us
just this tiddly running-in period in Birmingham — and I knew
then we were on a duffer. I was disappointed, but I expected it
really. The flow of the piece was being interrupted all the time
by things going wrong. I think my performance was alright, but
then I would think that! But we just kept getting hitches, hold
ups, things going wrong. You could feel it coming…"
Interviewed by Alan and
Alys Hayes for The Avengers Declassified, 1st November 2008 |
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Sue Lloyd
(Hannah Wild)
How to make friends and irritate people...
"One day, when I was appearing in the stage version of
The Avengers, I found that I'd fallen behind my fellow
Avengers as we lurched into Claridge's after a long, hilarious
lunch. I hadn't the faintest idea where they were going, so I
was relieved to see a small party way ahead, just trouping into
the room at the end of the corridor. I sprinted after them and
reached the door just as it was closing. I darted inside, peeled
off my long, terminally-moulting afghan coat and thrust it at
the short, heavy-set man standing by the door. It suddenly
struck me that the room had gone quiet. Silent, in fact. Then it
clicked. Not only had I gatecrashed his party — but I had
mistaken Aristotle Onassis for the butler!"
It Seemed Like A Good Idea
at the Time: The Autobiography of Sue Lloyd, 1998 |
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